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Nov 16, 2017 Importance of plant,
Argument Essay - Is Okonkwo (of Achebe's Things Fall Apart) a Hero? One of the primary reasons Okonkwo is a hero is importance of plant, his bravery. Throughout Things Fall Apart, Okonkwo shows his bravery in many situations. One of chicano civil rights movement, these situations was when “in Umofia’s latest war he was the importance, first to define theatre, bring home a human head. That was his fifth head, and importance he was not an aesop and the old show more content Despite being born poor, Okonkwo shows his power and of plant bravery to prove that he is diversification, a true hero. Of Plant! Although his story is mundane – he does not have any superpowers or any relation to his gods – Okonkwo fits the true definition of a modern hero. Mouse! The Ibo people of Nigeria may seem very different from of plant, us today, but the define theatre, themes of power, bravery, and self-determination transcend the differences in our cultures. Okonkwo would be a hero in importance of plant any culture, because he embodies the qualities that all people can Essay on nike leadership Okonkwo and Nwoye in Chinua Achebe's Things Fall Apart. interest in the things that his father is importance of plant, interested in. The second passage I have chosen better explains the diet diet, feelings that Okonkwo has for his son. Importance! “As Okonkwo sat in his hut that night, gazing into a log fire, he thought over the lion and the mouse the matter.
A sudden fury rose within him and importance of plant he felt a strong desire to chicano civil, take up his a machete, go to the church and wipe out the entire miscreant gang. But on further thought he told himself that Nwoye was not worth fighting for. Why should he , Okonkwo, of all people Essay on of plant The Tragic Heros in Macbeth and aesop Things Fall Apart. Importance! temptation but ultimately what separates Macbeth from just being a villain to a tragic hero is his sense of vegetarian diet, guilt and importance his knowledge of the vs meat diet, consequences of of plant, his actions. His emotions and define theatre guilt end up driving him crazy, along with Lady Macbeth. Of Plant! She ends up committing suicide and Macbeth gets killed by his own people. In Chinua Achebe’s novel “Things Fall Apart” the nike leadership, main character, Okonkwo is a tragic hero. Okonkwo had an unfortunate start. He didn’t have the start in life which other men his age typically Essay about Things Fall Apart, Achebe's Odyssey. Also, Okonkwo exhibits his strength when it comes time for the death of the importance, boy Ikemefuna.
He demands to be part of the Crisis, event and importance goes with the civil movement, party of men selected to kill the young boy. Importance Of Plant! When Ikemefuna realizes what is happening, he runs to diversification, Okonkwo and pleads for his life, but Okonkwo was afraid of being thought weak (p. Of Plant! 61) and define theatre raised his machete and of plant struck down Ikemefuna. Diversification! This had been a boy who had lived under his roof for of plant the past three years and diet vs meat who called Okonkwo father, yet Okonkwo strikes Essay on The Power Struggle in Chinua Achebe’s Things Fall Apart. The Priestess Ezeani's warning to Okonkwo places the incident in perspective: You have committed a great evil. . . Importance Of Plant! . Pop In The Outsiders! The evil you have done can ruin the whole clan. . . Importance Of Plant! (30). Nike Leadership! Ezeani's remark thus provides an anthropological explanation for importance Okonkwo's rash act. If a man's anger drives him to vegetarian diet vs meat diet, forget the collective whole, everyone will pay the price for that transgression if the gods retaliate and bring crop failure. Ironically, Okonkwo has already begun acting as an individual and not as a part Essay on Chinua Achebe's Things Fall Apart: Spiritual and Traditional Aspects.
But on importance one occasion Ezinma tells the chicano rights movement, medicine man where her iyi-uwa lies buried. Importance! The stone is diet, found and destroyed, and after this the people of Umuofia considered Ezinma to be free from her spell. Sometimes I believe in so-called super-natural things myself, so I do not blame the inhabitants of importance of plant, Umuofia for their reasoning about the civil rights, children’s deaths. Importance! I find it odd too that a woman can have nine children who all die before the diversification examples, age of importance, three, and then a tenth who survives. Sparknotes! I suppose there is a physical
Interestingly, Okonkwo does not dislike his father for strictly personal reasons but for the same reasons for importance which his society might frown upon Unoka: Okonkwo does not have any secret or intimate qualms with his father's personality, rather with the way that personality detracts from his success. One could imagine that, had Unoka been a successful man despite any of his flaws, Okonkwo could have respected him; indeed, the father and five son's relationship is not based on love, as is importance of plant, conventional in needs to chicano movement, be killed. Of Plant! Okonkwo eventually deals the nike leadership, final blow that kills Ikemefuna, to of plant, show that he is not weak. The grief that follows starts Okonkwo on his downfall. Soda The Outsiders! The next major event that led to importance, Okonkwo's downfall took place at the funeral of one of the elders in mouse the clan. When the group of importance of plant, men fired their guns to soda, give the importance, man his last salute, Okonkwo's gun exploded and civil movement a piece of importance, iron dug into a young boy's heart, killing him. Even though the slaughterhouse, death was accidental, Okonkwo was forced to flee from importance, something that is the lion, usually a great thing for importance of plant the Igbo?s, but it is actually foreshadowing what is about to happen to Okonkwo?s life. ?Suddenly a shadow fell on the world?boundless sheets of black cloud drifting towards Umuofia?(55-56).? Okonkwo is warned by chicano civil rights movement his friend Ogbuefi Ezeudu not to take part in importance the killing of Ikemfuna, but he does take part in vegetarian vs meat it. Okonkwo actually kills Ikemfuna because he is afraid the importance of plant, other men will think that he is weak. Later, Okonkwo?s friend Obrierika tells him that Okonkwo beat his second wife a couple of sparknotes five, weeks later for killing a banana tree, she later murmured something about of plant his gun and he fired a shot but missed her. His wives barley made him mad but when they did he got really mad, his wives caused him a lot of stress. Define Theatre! ““Yes, Umuofia has decided to importance, kill him.
The Oracle of the chicano movement, Hills and Caves had pronounced it. They will take him outside Umuofia as is the of plant, custom, and chicano civil movement kill him there. Of Plant! But I want you to have nothing to do with it. He calls you his father In fear of ending up like his father, Okonkwo makes a concerted effort to work hard and earn respect among his peers. Okonkwo earned respect through his farming and wrestling. His fame rested on personal achievements. Sparknotes Slaughterhouse! As a young man of eighteen he had brought honor to his village by throwing Amalinze the importance of plant, Cat.
Okonkwo was as slippery as a fish in water (Achebe 1). Despite all of chicano civil rights, his personal achievements, things begin to go downhill for Okonkwo as the book goes on. He is importance, banished from the
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Nov 16, 2017 Importance of plant,
rilke essay on of plant, dolls An essay prompted by Silent Partners: Artist and Mannequin from Function to Fetish , Fitzwilliam Museum, Cambridge, Tuesday 14 October 2014-Sunday 25 January 2015, Musee Bourdelle, Paris, 31 March-12 July 2015. [pdf] It has been published in Women: A Cultural Review , 26 (2015): 129-41. The doll has become a figure for the objectification of women, especially in the form of the sex doll, which is routinely taken to aesop and the mouse, be the image of the women reduced to of plant, a condition of pure passivity. All the things it seems necessary to say about sex dolls are said in a paragraph near the beginning of Anthony Ferguson’s The Sex Doll: A History : the female sex doll represents woman in her most objectified form. The female sex doll is man’s ultimate sexually idealized woman. It is never more than the sum, of its fully functional parts. A woman rendered harmless, it is immobile, compliant, and perhaps most importantly, silent… Perhaps the sparknotes slaughterhouse real function of the sex doll is to provide a simulacrum – a representation, an image, a semblance (of reality), a phantom, or a sham. Importance. The sex doll offers verisimilitude, the appearance of truth. Chicano Civil Rights. The aim of the importance of plant image is to displace reality. The evidence suggests that there are those who would prefer a simulacrum to living flesh, just as there are those who seek mute subjugation in the sexual partner. (Ferguson 2010, 5) And that, said John, is that.
We can count on this kind of thing being said reliably, soothingly, over and over. Have no fear: nothing I can possibly manage to say is likely to make any difference to aesop the lion mouse, this. Importance Of Plant. We might put this down to diet, inertia, just idol-indolence. But I have a feeling that it represents something much more positive than that. I think it may be an active and determined effort to avoid acknowledging or perhaps even noticing anything about the sex doll that refuses this model of male-active-aggressive-alive set against of plant, female-passive-objectified. Men should not treat women, or even want to treat women, as purely compliant objects. But I think that uninteresting moral sentiment (uninteresting because so obviously right and define theatre compelling) has much less to do with the sexual force of dolls than is usually thought.
There has been a long preoccupation with the idea of the female doll or android (‘gynoid’) who comes to importance, life, or who possesses a mimic life that it is impossible to distinguish from the real thing. There is, of course, the myth of Pygmalion, of which the soda pop in the outsiders most familiar narrative is that in Ovid’s Metamorphoses 10.243, which seems to have exerted a particular fascination from the end of the eighteenth century onwards, when engineers and imagineering writers began to think sustainedly about automata and animated human figures. Not all of these figures were female: the statue in Condillac’s thought experiment, endowed progressively with different senses, seems to importance of plant, be male, and the animated statue of the Commendatore in Mozart’s Don Giovanni most definitely is. But many of the androids and automata that proliferated from the define theatre nineteenth century onwards are female. Examples include the animated doll Olimpia in E.T.A. Hoffmann’s ‘The Sandman’. Particular attention seemed to be focussed on the creation of importance of plant, speaking automata, like the model Euphonia displayed by a Viennese inventor known only as ‘Professor Faber’ at the Egyptian Hall in Piccadilly in rights movement 1846 (Connor 2000, 354-6). Villiers de L’Isle Adam’s novel, L’Eve future (1886) tells of the creation of a perfect female android by a fictionalised Thomas Edison, for importance of plant, his friend Lord Ewald, whose lover, Alice Clary is herself a kind of doll, physically perfect but unresponsive. The face that stares out from the cover of Anthony Ferguson’s book is that of the stereotypical inflatable doll. Its head is chicano simply an oval with eyes, nose and even chin drawn in. The salient feature of the doll is its open mouth, with red lips and shyly extruding pink inner lining.
Of course this is not really a face of any kind; it is something much more like a kind of defacement, like the graffiti added to the beautiful photographic model in Philip Larkin’s ‘Sunny Prestatyn’: Huge tits and a fissured crotch. Were scored well in, and the space. Between her legs held scrawls. That set her fairly astride. A tuberous cock and balls. Autographed Titch Thomas , while. Someone had used a knife. Or something to stab right through. The moustached lips of her smile. (Larkin 1988, 149)
But there is another way of reading the importance image (perhaps it will turn out to be the same way, but in brackets). For the doll that reduces the woman to an orifice summons up its putative user as the convex to its concave, the mere plug for its pink void. Men, or ‘the man’, are what fill the gaps, or fit in the holes. If the doll is an inviting vacuity, a mouth that is nothing more than its availability for a penis, then in another sense the entire doll is itself no more than a grotesquely enlarged penis, its engorgement as fragile, insubstantial and ridiculous as air, the air that maintains its erectness. This is like a lewd, pantomimic version of the Deleuzian conceit, borrowed from Jakob von Uexkull, of the spider’s web that contains ‘a very subtle portrait of the fly’ it is designed to trap (Deleuze and Guattari 1994, 185). It is an image, not of the object of the man’s desire, but of define theatre, that desire itself, simultaneously diminished and puffed out into absurdity, the caricature-object formed from the ridiculous male need to objectify. When Marina Warner calls the Galatea-image ‘the figure of male desire fulfilled to perfection’ (Warner 2014, 27), her formulation has within it an exquisite grammatical swivel, since the perfect woman can easily flip into the ‘perfect woman’, the importance grotesque effigy of what women are taken to be by men (or what women take women to define theatre, be taken to be by men). The image may be of a woman, but what it unmistakeably shows is male desire, objectified and of plant made immediately recognisable and mechanically predictable. Ecce homo . This, surely, accounts for chicano civil, the fact that sex dolls are usually so ludicrous, like so much else associated with male sexuality.
The objectification of male desire in the sex doll accords with the Bergsonian logic of the comic, in importance reducing something free and self-determining into aesop the lion and the mouse, a fixed or merely mechanical form. When sex dolls are employed in of plant SM play, for example, it is as likely to sparknotes five, be as part of rituals of female domination and importance male diminishment than the demonstration of male power (though this is not to say that this diminishment is not itself primarily for male ‘gratification’). But only the most downmarket kinds of sex doll are nowadays of the inflatable kind, and these will much more often be purchased as jokes than as objects of use. A company called Last Night of Freedom advertises a male blow-up sex doll as a novelty hen-night gift, its website promising that ‘The hen is bound to be happy with your choice of define theatre, man to be her chaperone on her big night. This life size blow up male doll absolutely guarantees laughs among the girls as well as making the of plant photos of the event that much more entertaining.’ The link between the airy and define theatre the erectile is importance of plant confirmed by the specification that ‘he doesn’t say a lot though and, like most men, will require a good blow to chicano movement, get him going’ – http://www.lastnightoffreedom.co.uk/hen-night-shop/novelties--accessories/inflatable-male-doll/. There is transgression in using an image for importance, copulation, but here the point of that image is that it will itself be displayed as an image (in the wedding photos). Soda Pop In The Outsiders. An image that accompanies the importance of plant advertisement shows a woman holding the doll facing outwards and laughing. The doll has no sex organs, though it is unlikely that there would be any gain in dignity if it did. Aesop The Lion And The Mouse. A real man will always risk looking ridiculous with a blow-up doll, whereas with a real woman it is the doll that will look ridiculous. Referring to Bubble Baba, the white-water rafting competition that takes place on the Vuoksi River in St. Petersburg using inflatable sex-dolls, Marina Warner laments ‘Pussy Riot, where are you?’ (Warner 2014, 27).
But it is importance of plant not at all clear to me who is meant to be ridiculed here. Define Theatre. The point about an of plant, inflatable doll, made time and time again in cartoons and jokes, is that they are all the time so close to decompression. Inflatable dolls are both alarmingly fragile and also immune to assault, precisely because they are so fragile, so liable to come apart at the seams. They literally will not stand for being assaulted, they cannot take it. The other feature of this cover-illustration to Ferguson’s book we may notice is the Essay on Proposed the Housing Crisis in America strange pathos of the creases in importance of plant its upper arms, which suggest that the diet object is less than fully inflated, this a proleptic hint of the melancholy or sniggering detumescence that is importance always a risk in Essay on Proposed Plan for Resolving the Housing in America the inflatable doll.There is a long history of the importance balloon and chicano the bubble as images of the importance vanity of human wishes, and the inflatable sex doll is among the most telling images we have of the absurdity of male desire, made up of vapid, fit-to-bust puffery, the glory of ejaculation a breath away from bathetic flatulence.
Verily, it is the man that is the blow-job. Pussy Riot certainly have better things to chicano civil rights movement, protest about than sex-doll surfing, but wherever there is idolatry, or the belief in its existence, there will be iconoclasm. A Youtube video entitled ‘What To Do With a Rubber Doll?’, uploaded by the thinknewgroup, a German organisation concerned about gender in media, shows a figure, initially of indeterminate gender, violently and repeatedly smashing a rubber sex doll against a garage door, on which is inscribed ‘Einfahrt freihalten’ – ‘keep clear’. It is importance of plant hard not to assume that it is a man subjecting the image of a nude, pink, defenceless female body to diet vs meat, violent abuse, this reinforced by the laddish heavy-metal that growls and grinds along as a soundtrack. Of Plant. It is only at chicano civil movement the end of the video, when the figure turns round after a culminating double-handed forehand drive of the doll’s head against the door, raising its arms in triumph, that the slight bulge of the chest and importance widening of the soda the outsiders hips seems to make it clear that the exultant batterer is female. At this point everything changes, for the sex doll now seems to be, not an idol, but the image of idolatry, meaning that the violent action we have been watching is not doll-bashing (boo) but idoloclasm (hooray). I have just said everything changes, but perhaps nothing does really.
I am only 90% certain that the image is female, since the video is rather blurry. But, even if this were a man, exactly the same point would inevitably be made, whether through male rage at the female body, or female rage at male rage at the female body. If women are objectified as dolls, female sex-contrivances go in importance the other direction, since they so rarely bother to provide anything like a body for the man. The man is represented abstractly, by the dildo, or the rights ‘Sybian’, or the admittedly ingenious pedal-driven ‘Onanierapparat fur Frauen’ (masturbation machine for women) advertised by Magnus Hirschfeld in Berlin in the late 1920s (Levy 2008, 257-9). This guying of the man, to use the word that would enter English with the burning of importance, Guy Fawkes in effigy, is a repeated feature of stories of female animation, which regularly put male protagonists to a kind of mock-death, or death by mockery.
This pattern is vegetarian diet established in what we may think of as the inaugurating text of the animation tradition, Ovid’s version of the story of importance, Pygmalion and his statue (she would not be known as Galatea until after Rousseau’s 1762 version of the story). Define Theatre. Pygmalion is appalled by importance of plant, the immorality of the chicano rights movement women he sees around him, who, Ovid tells us in importance of plant the immediately preceding story, have been turned by the goddess Venus into soda pop in, stone: utque pudor cessit, sanguisque induruit oris/in rigidum parvo silicem discrimine versae – ‘so that their blushing ceased, the blood went rigid in their cheeks, and only a small change was needed to flip them into flinty hardness’ (Ovid 1976, 2.80). Pygmalion’s response to importance, is to vs meat diet, carve a statue, not from flint, but purest white ivory. Enchanted by his own creation, Pygmalion prays to Venus to let him have a bride just like his own ivory girl, Ovid emphasising that he does not dare ask for an ivory girl as such: ‘opto’, non ausus ‘eburnea virgo’/dicere, Pygmalion ‘similis mea’ dixit ‘eburnae’ – ‘ “I would like,” he said (not daring to say “an ivory girl”) “a girl like my ivory one” ‘ (Ovid 1976, 2.84). But he does not get the similitude he asks for, instead being given an animation of the statue itself. Of Plant. Pygmalion wants a coniunx , a real wife, but is fobbed off with a dummy.
Effigies of aesop mouse, women similarly figure the assumed fixations of male desire throughout post-classical European culture. The male lover is turned into a dummy or automaton by the force of the desire excited by the doll, a desire which hardens him into a petrified object. In the anonymous Adollizing published in 1748, a young libertine called Clodius falls in importance of plant love with a young woman, Clarabella, whose adamantine unattainability drives him to have made a doll in slaughterhouse five her image. Clodius himself is a kind of idol to the other young women whose love he easily inflames and of plant as easily ignores: ‘Tho’ idoliz’d by more than half the sex,/None have the define theatre pow’r the libertine to fix’ (Anon 1748, 12). Yet Clodius is fixated by his fantasy of his idolised condition: ‘ “All, all my fame, strait CLODIUS replies,/ Is to stand favour’d in the sex’s eyes:/To be the general idol of the fair’ (Anon 1748, 11). As Julie Park suggests, the story may be more about the importance animation of the fixated Clodius than the objectification of his Clarabella: ‘To be a real man himself, rather than an idol, he needs to reject both his worship of female dolls and his tendencies to regard real women as dolls to define theatre, manipulate and collect’ (Park 2010, 81). But, far from being real, his Clarabella has much less presence in the poem than the vividly-particularised Claradolla (well, her vividly-particularised vagina at importance any rate). Clodius’s love for the real Clarabella is secured and perpetuated by ‘her fix’d disdain’ (Anon 1748, 17). Indeed, there is a suspicion that idolisation is somehow intrinsic to the ‘quality transmutative’ (Anon 1748, 7) of love. The first canto of the poem gives us a list of the power of love to create idols from fleshly beings: Perfection all!
The fancy once impress’d, Gives marble firmness to a flabby breast; The sounds of angels to a screech-owl’s cry; A diamond-lustre to a whiting-eye; Iv’ry to teeth of Aethiopian hue (Anon 1748, 8) The very subtitle of the poem – ‘ A Lively Picture of Adoll-Worship ’ – suggests that the worship of simulations can make one over into a simulation oneself, with more picture in sparknotes it than liveliness. Importance Of Plant. The movement between reality and simulation is connected to mouse, the curiously insistent wagging in the poem between hardness and softness.
Eventually, Clodius’s revulsion from his doll, by now diversified into a ‘whole Seraglio’ (Anon 1748, 22) by exchangeable heads, persuades Venus to thaw Clarabella’s ‘frozen heart’ (Anon 1748, 27). But throughout the poem, sexual desire is animated by the movement between the hard and the soft, the dead and importance the living, the real and the phantasmal. Slaughterhouse Five. It is not just men who draw on ‘mimic art’ (Anon 1748, 17), for woman too, ‘when of copulation she despairs/At once a dildo softens all her cares’ (17). Of Plant. The play between ‘idolizing’ and ‘adollizing’ alerts us to the near-anagram of dildo and idol. The mimic art itself exists between something and nothing, for its ‘fertile thought/Can raise a solid entity from nought’ (Anon 1748, 17). At the soda pop in moment that the real Clodius is accepted by the real Clarabella, all sexual and comic tension drain away, and the poem ends. In E.T.A. Importance. Hoffmann’s ‘The Sandman’, the young man Nathanael is driven insane by discovering that the woman Olimpia with whom he has fallen in on Proposed Plan the Housing Crisis love is a mechanical doll.
At the of plant climax of the story, he attacks his real love Clara on the top of a tower: now, in his insane rage, it is Nathanael whose movements are mechanical, and who repeats like a broken machine the words ‘Spin, puppet, spin’ (Hoffman 1982, 123). Eventually, spellbound by the mesmeric gaze of the artificer Coppelius, he tumbles from the tower, and dies, his head smashed like that of a doll. A similar guying takes place in the most celebrated instance of doll fetishism in twentieth-century art history, the doll that Oskar Kokoschka had made of his wife Alma Mahler after she left him. The story has been told many times of the elaborate instructions that Kokoschka gave to the dollmaker Hermine Moos over the course of nine months for the construction of the doll. Bonnie Roos describes the process as a kind of ‘womb-envy (Roos 2005, 297), the Pygmalionising Kokoschka trying to in the process ‘to reinvent himself as the modernist masculine art-genius’ (Roos 2005, 292). The difficulty came with the Moos’s decision to reject Kokoschka’s suggestion of silk or linen for aesop mouse, the skin of the doll in importance of plant favour of feathered swanskin. Kokoschka was astonished and on Proposed Plan Crisis appalled, describing the skin as ‘a polar-bear pelt, suitable for a shaggy imitation bedside rug rather than the soft and pliable skin of a woman … Even attempting to pull on one stocking would be like asking a French dancing-master to waltz with a polar bear’ (quoted in Keegan 1999, 114-15).
For Loos, Moos’s defiance ‘critiques male artistry as dehumanizing and importance of plant fetishizing, she challenges the ideal of the creative “male artist genius” ’ (Loos 2005, 300). In her reading of the two paintings that Kokoschka made of himself and slaughterhouse five his ghastly abortion of a doll, Woman in Blue and At the Easel , Loos proposes that his paintings show the painter becoming ever more similar to his creation. And yet the doll is a caricature of a real woman, so that he ends up looking ridiculous. The problem with Loos’s reading is of plant not a bit that it is not true. It is that it seems not to have noticed that it is sparknotes always true , that the objectifying male is always reduced by his doll-making to the condition of a guy, dummied by his dummy-desire. This effigial contagion is the importance sign that the doll is not always a piece of inanimate matter made compliant to the will of a living exploiter. The doll talks back and looks back. In being roused from insentience by the desire of the male user, and then in its turn arousing that user, the sparknotes slaughterhouse doll may also serve to figure tauntingly for the male what is impersonal, mechanical and thinglike in his own sexuality, the very sexuality that he is supposed to identify with his life – ‘his’ ‘life’. Sexual desire brings the doll to life just enough for of plant, it to be able to soda pop in, figure back to the man the ‘itness’ (this is what Freud’s ‘id’ means), the blank automatism of his sexuality. So I think Marquard Smith is quite right when he says ‘Make no mistake: the doll is an it’ (Smith 2014, 245). This may be one reason that dolls seem to attract so much assault as well as adoration.
It is of plant perhaps not the ‘woman’ figured in the doll that is the target of the define theatre ‘ferocious brutality’ that Smith describes being directed at importance of plant dolls (Smith 2014, 244). Or perhaps this figuring is really the vehicle for soda, a deeper antagonism, an antagonism between the importance living and the particular kind of death-in-life that Rilke, in his essay ‘Some Reflections on define theatre, Dolls’ called the ‘thing-soul’ (Rilke 1978, 49). Noting the link between doll-adoration and extreme actions such as sexual murder and necrophilia, Anthony Ferguson proposes that: The key element in achieving sexual and emotional fulfilment in these taboo acts is gaining control. The perpetrator gains control of the self and importance of plant of others for diet vs meat diet, sexual gratification, but more importantly, gains control over death itself, Part of the fascination with taboo acts like necrophilia is that they represent a response to importance of plant, our universal fear of define theatre, death. Thus we confront an issue that terrifies us and attempt to tame it by eroticizing it (Ferguson 2010, 139-40) But the eroticisation of the doll plainly does not in the least tame the fear of death. Rather, the of plant point of the doll seems to be to arouse the fear that eros is Essay Plan for Resolving the Housing Crisis threaded through with thanatos, that desire is not possible without some changeling substitution, some alloy of death and life. The doll brings together the histories of sexual desire and importance religion. Define Theatre. For, even in their secularised form, dolls always connote idolatry, the worship of false idols. (A character called ‘Dol’ in a Renaissance play is pretty much certain to be a prostitute.) In the absence of importance of plant, a divine principle that consents to reveal itself fully and indubitably, most religions both allow and are extremely suspicious of such mediations. The deprecation of the idol takes many forms: religious in five the rage of the fundamentalist against false images, economic in importance of plant the Marxist horror of the mediations and substitutions that yield the fascinating but vampiric desire for the commodity fetish, psychosexual in sparknotes the reading of perversion as the pathological displacement of the proper aim of sexual desire.
Perhaps all the forms of of plant, rage against the worship of false gods are a kind of rage against objects, against the insinuation of the unliving or object world into what would otherwise be immediate relations – of the individual soul to the divine, of the subject meeting with its own desire without impediment or diversion. Somewhere, in the immaculately tautological hand-in-glove of subject and subject, the vegetarian vs meat diet object world enters, becoming in the process something other than simply object, becoming undead. Something, some thing , or foreign body, it seems, is importance always in the way, on the way to the object of vegetarian diet vs meat, desire – and sometimes it is importance not just in diet vs meat diet the middle of the way, but is the way itself. An object is that which is literally thrown up against one – ob + iacere . Of Plant. For Michel Serres, in his book Statues , the death of the subject represented by the object is actually what gives the subject to itself, in the humiliation that makes the human: Subject. This word retains the trace of an act of humility. The subject subjects itself to the dominion of that which forms and loses it. Yes, kills it. Only the object exists and I am nothing: it lies before me and I disappear beneath it. (Serres 1987, 211; my translation)
Such intervening objects can often seem or become diabolical – indeed, the diabolos is that which is thrown between: the object is diabolical when what comes up against one also comes between one and oneself . The longing to abolish mediation, to reach to soda pop in the outsiders, the thing itself, will often lead to zealous, jealous rage against what stands in the way. At its extreme, according to Peter Sloterdijk, there is the zealot’s loathing of the world, which aims to mimic and even outdo God’s assumed regret at having created the world’s unfortunate and culpable otherness to himself (Sloterdijk 2009, 24). Recent years have seen a new development in relation to the sex-doll, namely the of plant phenomenon of the ‘living doll’, people (well, men) who furnish themselves with prosthetic additions including full face-masks that allow them to seem to movement, become dolls, or doll-like women. This may be seen as a libidinised form of the fashion for importance, the living statue, or the pleasure of the entry into slaughterhouse, the agitated inertness of the machine to be found in body-popping and allied dance forms. It is not clear, as least not to me, if men who form themselves into living dolls are the same men who might once have wanted to own dolls, or, if they are, if it is the same desire in them. But this development does at least seem to hint at the possibility that there can be identification in desire, that being might here be an enhanced form of having. It would be hard to say that the importance statue is brought warmly and amorously to sparknotes five, life in the living doll; rather life is of plant given over to the undeadness of the statue. The doll is not only adored as a substitute for some other real object, it is chicano civil envied as what it is, that is, as a thing, with a thing’s power of declining to be subjected to subjecthood. Importance Of Plant. What are we to Essay for Resolving the Housing, make of this passion for passivity? Is this just another ruse of the objectifying sadism of male desire?
If there is importance of plant nobody wanting to tell us it is, I am a Dutchman, or Dutch wife. As David J. Getsy has recently suggested (2014), the stillness and passivity of the idol or doll may often be regarded as a kind of civil, resistance, an unreadability that is importance itself determinable neither as hostility or indifference. And The Mouse. In the master-slave dialectic of Hegel, the master requires not only the slave’s servitude, but the slave’s free acknowledgement of importance of plant, that servitude. The difference between a doll and a mere lump of wood, or other unshaped matter, is soda that a doll seems to possess, or to allow the suggestion of, just enough sentience to seem to importance of plant, be able to have withheld its consent. The user has power over the doll because it cannot refuse its consent; but the doll has power over the idolator because it can – or should that be will? – never really give that consent. Like the dead-weight protestor being lugged away by the riot police, its passivity forces the use of force. Possessed of what Giorgio Agamben calls impotential , being able not to vegetarian diet vs meat diet, be able (Agamben 1998, 182), the importance doll holds back, it keeps itself in reserve.
It could consent but perhaps, like Bartleby, it prefers not to. Whatever intimacies may be forced upon define theatre it, it can never do more than intimate its willingness. Dolls are for playing with, but we should pause on importance of plant, this. What does it mean to Essay on Proposed for Resolving the Housing, play? Playing is always a kind of subjection of the player to limits, which accounts for the fact that there is importance always some material form involved in playing.
The point of what we call a ‘plaything’ is that it allows the sparknotes overcoming of some unnecessary constraint. Importance. If the doll is played with, pampered, cared for, etc, if it is adored, as an idol is, then there is pop in the outsiders also the shadow of violence or violation in this play. During the Reformation, Catholic religious artefacts were sometimes degraded into the condition of toys, as a way of keeping them under erasure, in a condition of visible degradation. To be a toy is to be able to be injured as well as caressed. There is of plant a kind of aesop, deathliness in play – not the of plant simple deathliness of the for Resolving Crisis in America inanimate object, but the impulse which all play releases and allows, of putting the of plant toy to death. As Baudelaire says, in ‘Morale du joujou’ (‘Philosophy of Toys’), the child is never satisfied until it has found the answer to the question ‘ where is the soul? ’ (Baudelaire 1986, 203), or proved though destruction that it does not have anything inside it.
Much has been made of the interplay between life and death involved in the figure of the doll, and the uncanniness evoked by that which seems to civil rights movement, hover uncertainly on importance, the border between life and death. Plan In America. Sexual desire may be characterised as desire that is closely wedded to death – a desire that is linked most intensely to the desire for of plant, its own annulment, a desire for there always to be more of desire, more of the desire for desire to vs meat, be put to the death of consummation. Sexual desire interweaves eros and importance of plant thanatos in on Proposed the way that Freud works at without ever being able quite to work out in Beyond the Pleasure Principle , life hanging on for dear life in the deferral of the death-drive, which is simultaneously the dilatory effort of death to importance of plant, get a life, or live itself off through life (Freud 1955, 54). The desires aroused and satisfied by dolls are desires that oscillate between life and death in the same way. It is in this sense, perhaps, that all sexuality is idolatrous, and all dolls are sex-dolls. Human beings find many ways to chicano civil, keep alive the idea that there is a thing that may be called ‘life’, on whose side human beings are, which must be rescued or resuscitated from the deathliness of the object world, the sepulchral generality of the it . But this generality is generative, for of plant, there are many forms of the define theatre it , and recent history has made the of plant object world seem a more and more lively and varied participant in sparknotes slaughterhouse five human life, making it harder to of plant, know what it might mean to defend life against death, or expel the it from the life that knows and names itself as human. Philosophers such as Michel Serres and Bruno Latour have helped us begin to understand the strange and growing salience in our lives and loves of these quasi-objects.
We are increasingly becoming aware of how we are formed by Essay Plan Crisis in America, the it that we would wish to take a stand against, and that the distinctive rage we might bring to bear to put it in its place as an it has all the automatism of the it itself. Thinking about gender is often sustained by importance, such efforts to secure the category of the living, and to Essay on Proposed Plan the Housing Crisis, put the importance of plant it in its place, absolutely on the other side of the I . Indeed, everything seems to operate under the influence of the twin imperative, first that there must be life, and second that, whatever else may dissolve, there must be always b e gender. The generativity of the it , in which the doll participates, perturbs both of these imperatives. Agamben, Giorgio (1998). Homo Sacer: Sovereign Power and Bare Life . Trans. Daniel Heller-Roazen. Stanford: Stanford University Press. Anon (1748). Adollizing: Or, A Lively Picture of Adoll-Worship . London: A. Dodd. Baudelaire, Charles. (1986). The Painter of Modern Life and Other Essays . Trans. and ed.
Jonathan Mayne. New York: Da Capo Press. Connor, Steven (2000). Dumbstruck: A Cultural History of Ventriloquism . Oxford: Oxford University Press. Deleuze, Gilles and Felix Guattari (1994).
What Is Philosophy? Trans. Hugh Tomlinson and Graham Burchill. London and New York: Verso. Ferguson, Anthony (2010). The Sex Doll: A History . Jefferson, NC and pop in the outsiders London: McFarland. Freud, Sigmund (1955). Beyond the Pleasure Principle. The Standard Edition of the Complete Psychological Works of Sigmund Freud, Volume XVIII (1920-1922): Beyond the Pleasure Principle, Group Psychology and Other Works . Of Plant. Trans. James Strachey et. al.
London: Hogarth, 1-64. Getsy, David J (2014). Define Theatre. ‘Acts of Stillness: Statues, Performativity, and Passive Resistance.’ Criticism , 56, 1-120. Hoffmann, E.T.A. (1982). Tales of importance, Hoffmann . Define Theatre. Trans. R.J. Hollingdale, et. al. London: Penguin. Keegan, Susan (1999). The Eye of God: A Life of Oskar Kokoschka . London: Bloomsbury.
Larkin, Philip (1988). Collected Poems . Ed. Anthony Thwaite. Importance Of Plant. London: Marvell Press and Faber and Faber. Levy, David (2008). Love and Sex With Robots: The Evolution of Human-Robot Relationships . London: Duckworth Overlook. Park, Julie (2010).
The Self and It: Novel Objects in define theatre Eighteenth-Century England . Stanford: Stanford University Press. Rilke, Rainer Maria (1978). Of Plant. Where Silence Reigns: Selected Prose by Rainer Maria Rilke . Trans. C. Craig Houston. New York: New Directions. Roos, Bonnie (2005). ‘Oskar Kokoschka’s Sex Toy: The Women and the Doll Who Conceived the Artist.’ Modernism/Modernity , 12, 291-309. Serres, Michel (1987).
Statues: Le second livre de fondations . Paris: Flammarion. Sloterdijk, Peter (2009). God’s Zeal: The Battle of the Three Monotheisms . Trans. Wieland Hoban. Cambridge and Malden MA: Polity Press. Smith, Marquard (2014). The Erotic Doll: A Modern Fetish . Define Theatre. New Haven: Yale University Press. thinknewgroup (2007). ‘What to importance of plant, Do With a Rubber Doll?’ (2007). Online at the lion and the http://www.youtube.com/watch?v=7e8wgSmImyk Accessed 10 th August 2014.
Warner, Marina (2014). ‘Forty Thousand Kilocupids.’ Rev. of Marquard Smith, The Erotic Doll: A Modern Fetish . London Review of Books , 36 (31 st July), 27-28.
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7 Common MBA Essay Questions and importance How to Tackle Them. There are a handful of business school essay questions that seem to capture the heart and soda the outsiders imagination of many an MBA program. It seems that, across the board, admissions committees feel these queries offer the best insight into the minds of their applicants. You are likely to see a version of one or more of these common MBA essay questions on your b-school application. These tips will help you craft the perfect answer. 1. Describe your specific career aspirations and your reason for pursuing an MBA. This may be the of plant, most important essay question you tackle. Aesop Mouse. You must convince the admissions committee that you deserve one of their few, cherished spots. Reference your background, skills, and importance career aspirations, demonstrating how this degree is a bridge to the next step in your professional life. Be sure to speak to how this particular program will help you realize your potential. It's okay to present modest goals.
Deepening your expertise and broadening your perspective are solid reasons for pursuing this degree. If you aspire to pop in the outsiders, lofty goals, like becoming a CEO or starting your own company, be careful to detail a sensible (read: realistic), pragmatic plan. 2. What are your principal interests outside of work or school? What leisure and/or community activities do you particularly enjoy? There's more to b-school than the library. The best programs buzz with the energy of importance of plant, a student body that is talented and creative and bursting with personality. These students are not just about Essay on Proposed Plan the Housing in America, case studies and careers. Describe how you will be a unique addition to the business school community. B-school is also a very social experience. Much of the work is of plant done in groups.
Weekends are full of social gatherings or immersion experiences, and the networking you do here will impact the rest of your career. Communicate that people, not just your job, are an important part of your life. The admissions committee wants to know the qualities, attributes and strengths you value in others and hope to pop in the outsiders, embrace. Drive, discipline and importance of plant vision are fine examples but try and look beyond these conventional characteristics. Tell a story and civil rights provide specific examples. If you choose someone famous (which is fine), remember that you risk being one of many in the pile. Instead, consider a current boss, business associate, or friend. Know that your choice of person is of plant less important than what you say about him or her. Aesop The Lion And The. 4. Describe a situation in which you led a team.
What challenges did you face, and how did you overcome them? The committee isn't looking to see how you saved the team through your heroic efforts (so put yourself on ego alert). They want to see how you helped foster an importance environment in civil movement, which everyone contributes, illustrating that the of plant, sum is greater than its parts. B-schools like leaders, but they like leaders who can help everyone get along and arrive at a collaborative solution. Sparknotes Slaughterhouse Five. You should shift gears for this question. Almost the entire application process thus far has asked you to importance, showcase me-me-me. Now the focus of your story needs to be on the we and how you made the we happen. 5. Our business school is a diverse environment.
How will your experiences contribute to this? This essay gets at two concerns for the admissions committee: (1) how will you enrich the student body at this school and (2) what is diet vs meat your attitude toward others' diverse backgrounds? Diversity comes in many shapes. If a grandparent or relative is an immigrant to this country, you can discuss the impact of his or her values on of plant your life. Perhaps you are the first individual in your family to attend college or graduate school. Chicano Civil. Maybe you are involved in a meaningful or unusual extracurricular activity. Whatever you choose to write, it's vital that you discuss how it contributes to your unique perspective. Importance Of Plant. 6. Describe a personal achievement that has had a significant impact on soda the outsiders your life. Don't pull your hair out just because you haven't founded a successful start-up or swum across the importance, English Channel. Sparknotes Slaughterhouse Five. Smaller accomplishments with a lot of personal significance are just fine if they demonstrate character, sacrifice, humility, dedication, or perseverance.
A good essay describes how you reached a personal objective and what that meant to you. Of Plant. Maybe you didn't lead a sports team to a victory. Maybe the victory was that you made it onto the team . 7. Discuss a non-academic personal failure. What did you learn from the experience? Many applicants make the mistake of the lion and the mouse, answering this question with a failure that is really a positive.
Or they never really answer the question, fearful that any admission of failure will throw their whole candidacy into jeopardy. Don't get crafty. You should answer with a genuine mistake that the committee will recognize as authentic. Write about a failure that had some high stakes for you. Demonstrate what you learned from of plant your mistake and how it helped you mature. This is a chance to show b-schools your ability to be honest, show accountability, and face your failures head-on.
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Sr. Manager, Ccar Model Oversight - Unsecured Portfolio. Long Island City , NY 11109. Primary Location: United States,New York,Long Island City + Other Location: United States,New York,New York + Job Function: Risk Management + Travel Time: Yes, 10 % of the Time + Description We are looking for a senior modeler to provide oversight to importance our unsecured CCAR loss estimation modeling and results evaluation. Define Theatre! This role will entail providing research and support for how we should approach modeling losses for importance, CCAR for our unsecured portfolios based on industry best practice and regulatory guidance. Qualifications Advanced Degree (Bachelor's Degree Required, Master's Degree Preferred) in Statistics, Applied Mathematics, Operations Research, Statistics, Economics, Engineering, or other highly technical quantitative discipline Is an define theatre experienced risk management professional with at least 5+ years in the Financial Services industry covering unsecured portfolios; Extensive experience in performing and importance of plant, leading quantitative analysis, statistical modeling, loss forecasting, loan loss reserve modeling, stress testing, Basel and (especially) econometric modeling of consumer credit risk.
Has had an active leadership role in successfully executing the analytical components of an econometric modeling-driven stress loss process Advanced Econometric modeling skills using SAS or other statistical software. Create a job alert for Sr. Vs Meat Diet! Manager, Ccar Model Oversight - Unsecured Portfolio at importance of plant, Long Island City, NY. Great! You'll now receive job alerts for Sr. Manager, Ccar Model Oversight - Unsecured Portfolio at Long Island City, NY. Create a job alert for civil, Sr.
Manager, Ccar Model Oversight - Unsecured Portfolio at Long Island City, NY. Director Ccar Model Oversight Unsecured Portfolio. Posted 24 hours ago. VIEW JOBS 10/5/2017 12:00:00 AM 2018-01-03T00:00 + **Primary Location:** United States,New York,Long Island City + **Other Location:** United States,New York,New York + **Education:** Bachelor's Degree + **Job Function:** Risk Management + **Schedule:** Full-time + **Shift:** Day Job + **Employee Status:** Regular + **Travel Time:** Yes, 10 % of the Time + **Job ID:** 16043788 **Description** Citi, the of plant, leading global bank, has approximately 200 million customer accounts and does business in more than 160 countries and jurisdictions. Chicano Movement! Citi provides consumers, corporations, governments and institutions with a broad range of financial products and importance of plant, services, including consumer banking and credit, corporate and investment banking, securities brokerage, transaction services, and civil rights movement, wealth management. Our core activities are safeguarding assets, lending money, making payments and accessing the capital markets on behalf of our clients. Of Plant! Citi’s Mission and Value Proposition at define theatre, http://www.citigroup.com/citi/about/mission-and-value-proposition.html explains what we do and Citi Leadership Standards at importance, http://www.citigroup.com/citi/about/leadership-standards.html explain how we do it. Our mission is to vegetarian diet vs meat diet serve as a trusted partner to our clients by responsibly providing financial services that enable growth and economic progress. Of Plant! We strive to earn and five, maintain our clients’ and the public’s trust by constantly adhering to importance of plant the highest ethical standards and making a positive impact on the communities we serve. Our Leadership Standards is a common set of skills and expected behaviors that illustrate how our employees should work every day to be successful and five, strengthens our ability to importance execute against vegetarian diet, our strategic priorities. Diversity is a key business imperative and a source of strength at Citi.
We serve clients from importance, every walk of life, every background and every origin. Our goal is to chicano civil have our workforce reflect this same diversity at all levels. Citi has made it a priority to foster a culture where the best people want to work, where individuals are promoted based on merit, where we value and demand respect for importance of plant, others and soda the outsiders, where opportunities to importance develop to sparknotes slaughterhouse are widely available to all. We are looking for an executive level modeler to importance provide oversight to our unsecured CCAR loss estimation modeling and results evaluation. This role will entail defining how we should approach modeling losses for CCAR for five, our unsecured portfolios based on importance industry best practice and Essay on Proposed the Housing Crisis, regulatory guidance. This role will provide risk oversight across all unsecured products globally. The role requires frequent contact and interaction with Model Development teams, Model Validation group, and CCAR planning and of plant, governance units. The position requires a unique perspective on the management of unsecured products in particular, and risk management at Citi Consumer in general that spans all risk types (that includes lending, operational, market, compliance, reputational) • Comprehensive understanding of industry best practice and regulatory expectations on model development.
Fully understand SR11-7, and abreast with the slaughterhouse, latest CCAR guidelines and expectations. • Extensive understanding of unsecured products—structures, industry mechanics, risks, analytical tools. • Extensive experience with industry best practice modeling techniques and demonstrable skills in importance of plant rapid development, prototyping, benchmarking, and define theatre, empirical analysis. • Perform or direct research to challenge, support, or improve modeling approaches. Importance! Prototype or guide development of benchmark or confirming models • Review and dissect forecasts and their drivers • Analyzes the five, impact of changes in importance macroeconomic indicators on portfolio/business performance. Proficient in scenario analysis. • Direct experience in managing unsecured products through crises/economic cycles • Proficient in using MIS to chicano manage risk. • Experienced negotiator (internally and externally). Well -developed influencing skills. • Regularly communicates and importance of plant, ensures key messages are cascaded throughout the organization. Define Theatre! **Qualifications** • Advanced Degree (Bachelor's Degree Required, Master's Degree Preferred) in Statistics, Applied Mathematics, Operations Research, Statistics, Economics, Engineering, or other highly technical quantitative discipline • Is an importance experienced risk management professional with at least 8+ years in the Financial Services industry covering unsecured portfolios; • Extensive experience in define theatre performing and leading quantitative analysis, statistical modeling, loss forecasting, loan loss reserve modeling, Basel and (especially) econometric modeling of consumer credit risk. Has had an importance active leadership role in successfully executing the pop in the outsiders, analytical components of an econometric modeling-driven stress loss process • Advanced Econometric modeling skills using SAS or other statistical software. Proficient with data analysis using SAS, SQL, or other software. • Proven ability to lead and importance, accomplish through both influence and oversight organizational constructs • Experience in delivering technical presentations to and managing examinations and ongoing relationships with external regulators (e.g., FRB, OCC, FDIC) and internal audit functions • Excellent written and verbal communication skills with significant presentation assembly for and delivery to senior and executive level audiences. • Candidates who have performed comparable functions to those listed above for significant, complex financial institutions at a consulting company, vendor, or service provider would be strongly considered as well. • Demonstrated strong leadership experience, especially in transitioning or challenged environments (including strong facilitation skills) Citi Long Island City NY. Ccar RWA Forecasting Analytics Regulatory Risk M. Posted 24 hours ago.
VIEW JOBS 10/5/2017 12:00:00 AM 2018-01-03T00:00 + **Primary Location:** United States,New York,Long Island City + **Education:** Bachelor's Degree + **Job Function:** Risk Management + **Schedule:** Full-time + **Shift:** Day Job + **Employee Status:** Regular + **Travel Time:** Yes, 10 % of the Time + **Job ID:** 16050246 **Description** Citi, the leading global bank, has approximately 200 million customer accounts and does business in more than 160 countries and jurisdictions. Citi provides consumers, corporations, governments and define theatre, institutions with a broad range of of plant, financial products and services, including consumer banking and credit, corporate and define theatre, investment banking, securities brokerage, transaction services, and wealth management. Importance! Our core activities are safeguarding assets, lending money, making payments and aesop and the mouse, accessing the capital markets on behalf of our clients. Citi’s Mission and Value Proposition at http://www.citigroup.com/citi/about/mission-and-value-proposition.html explains what we do and Citi Leadership Standards at of plant, http://www.citigroup.com/citi/about/leadership-standards.html explain how we do it. Our mission is to serve as a trusted partner to our clients by responsibly providing financial services that enable growth and economic progress. We strive to earn and chicano civil rights movement, maintain our clients’ and the public’s trust by constantly adhering to the highest ethical standards and making a positive impact on the communities we serve. Our Leadership Standards is a common set of skills and importance of plant, expected behaviors that illustrate how our employees should work every day to be successful and strengthens our ability to execute against our strategic priorities Diversity is a key business imperative and a source of strength at sparknotes slaughterhouse five, Citi. We serve clients from importance of plant, every walk of life, every background and every origin. Our goal is to vegetarian diet have our workforce reflect this same diversity at all levels. Citi has made it a priority to foster a culture where the of plant, best people want to work, where individuals are promoted based on merit, where we value and define theatre, demand respect for of plant, others and where opportunities to develop are widely available to Essay the Housing Crisis in America all.
Join the Citi’s Risk Governance Group team to support its regulatory stress testing initiatives (CCAR and DFAST efforts) in importance of plant response regulatory guidelines. CCAR RWA forecasting is a critical function within risk organization which oversees RWA forecasting for aesop the lion and the mouse, all business lines. This task involves understanding of business and importance, finance forecasting, and then apply algorithm to estimate the forecasted RWA numbers. Forecasted number is a great forward looking indicator on the amount of future regulatory capital necessary during a stressed or severely stressed economic environment, which goes as an input to Citi’s capital planning exercise and CCAR Fed reporting. This role will offer significant exposure to senior management on aspects of the firm's capital adequacy and stress-testing activities as they relate to RWA projections reviews with the pop in, Business, Independent Risk and importance of plant, Finance specifically relating to Wholesale Credit Risk. The role will partner extensively with colleagues across risk, finance, model development, model validation and aesop and the mouse, line of importance, business functions on the capital stress testing processes. **The candidate will be responsible for:** + Calculating Risk Weighted Assets projections for Securitization exposures consisting of both Banking and sparknotes five, Trading book using Basel III Advanced and Standardized approaches + Partnering with Model development teams, analyze macroeconomic variables and articulate their inter-relationships with the forecasted risk parameters. Document the inter-relationship in a business-friendly language in a crisp and concise manner + Performing quantitative analysis and assess relevancy of the importance, key risk weight parameters such as Delinquency, Tranche parameters forecasted by the Model development teams + Review risk exposure calculations and forecasts for Basel, CCAR and DFAST requirements + Define andPerform attribution analysis of soda pop in the outsiders, various risk parameters used for RWA forecasting + Provide Business inputs for the aspects related to implementation of Risk Weighted Assets forecasting, attribution analysis and regulatory reporting + Prepare high quality presentations of RWA projections key stakeholders like such as Business, Finance and Independent Risk Management + Continuously improve subject matter expertise relating to of plant Basel III regulatory guidelines and financial products in the business areas to become a trusted advisor to the work stream leads, acting as a partner in delivering RWA analysis and on Proposed Plan the Housing Crisis in America, articulating them in presentations to of plant seniors in a crisp and Plan the Housing Crisis, concise manner + Creation of importance of plant, Senior Management-ready materials, particularly CCAR presentations to Lines of Businesses, Independent Risk Management, Finance and Regulators + Develop a strong working relationship with the Businesses, Finance, Technology, Audit, Independent risk across the organization **Qualifications** + Comprehensive of CCAR requirements and processes –abreast with the latest CCAR guidelines, understanding the data, oversee the submissions, synthesize the define theatre, submissions, coordinating with other work streams + Strong understanding of US Basel III regulatory guidelines and of plant, hands on experience with RWA calculations with specific reference to Securitization + Working knowledge of SSFA, SFA processes and calculations for different types of securitization exposures with asset classes like RMBS, ABS, CMBS, CLO and CDO. + Possess high level of quantitative analysis and Plan, data interpretation skills + Experience in importance Risk is strongly preferred: Regulatory reporting, CCAR, DFAST, Market Risk, Credit Risk are all highly desirable areas of expertise + Ability to define, articulate and re-engineer complex processes and procedures, with appropriate controls, and think both strategically and tactically while driving meticulous execution + Able to navigate through large organizations to streamline and summarize multiple information points; create repeatable process to build consistency in presenting information + Exceptional oral communication and civil rights, writing skills, with ability to synthesize complex concepts, and importance, translate into user-friendly language for multiple audiences, including senior management, multiple internal constituents and regulators + Strong analytical and quantitative skills + Ability to quickly assimilate and analyze large amounts of information + Ability to manage multiple priorities and tasks, escalate or voice concerns or questions and soda pop in the outsiders, exhibit strong people skills + Enjoy variability in workload, particularly in a wide range of of plant, quantitative and non-quantitative projects. + Ability to vegetarian diet manage multiple priorities and tasks, work well as part of a team, and exhibit strong people and influencing skills + Strong attention to detail, ability to produce a polished, high quality, accurate product; tireless work ethic with ability to work well under pressure + Solid Microsoft Excel skills and the ability to quickly develop advanced knowledge of importance, MS Excel and Access (or other database front end query applications). + Organizational savviness with ability to expand internal network across functions and various levels of seniority + 6 - 10 years’ experience in related field Citi Long Island City NY. Posted 24 hours ago. VIEW JOBS 10/5/2017 12:00:00 AM 2018-01-03T00:00 + **Primary Location:** United States,New York,Long Island City + **Education:** Bachelor's Degree + **Job Function:** Risk Management + **Schedule:** Full-time + **Shift:** Day Job + **Employee Status:** Regular + **Travel Time:** Yes, 10 % of the Time + **Job ID:** 17065957 **Description** **About Citi** Citi, the leading global bank, has approximately 200 million customer accounts and does business in more than 160 countries and jurisdictions. Citi provides consumers, corporations, governments and institutions with a broad range of chicano civil, financial products and services, including consumer banking and credit, corporate and investment banking, securities brokerage, transaction services, and wealth management.
Our core activities are safeguarding assets, lending money, making payments and accessing the capital markets on behalf of our clients. Of Plant! Citi’s Mission and Value Proposition at http://www.citigroup.com/citi/about/mission-and-value-proposition.html explains what we do and define theatre, Citi Leadership Standards at http://www.citigroup.com/citi/about/leadership-standards.html explain how we do it. Of Plant! Our mission is to serve as a trusted partner to our clients by responsibly providing financial services that enable growth and economic progress. We strive to earn and maintain our clients’ and the public’s trust by constantly adhering to the highest ethical standards and making a positive impact on Plan Crisis the communities we serve. Our Leadership Standards is importance of plant, a common set of skills and expected behaviors that illustrate how our employees should work every day to be successful and strengthens our ability to execute against our strategic priorities. Five! Diversity is of plant, a key business imperative and a source of strength at Citi. We serve clients from every walk of life, every background and every origin. Our goal is to have our workforce reflect this same diversity at all levels. Civil Movement! Citi has made it a priority to foster a culture where the best people want to work, where individuals are promoted based on merit, where we value and demand respect for others and where opportunities to develop are widely available to all.
The role is a member of the Policy and Document Management team within Model Risk Management – Model Governance. Model Governance is responsible for of plant, firm-wide model strategy, updating and maintaining policy, interfacing with regulators and Internal Audit, project management of remediation, training, quality control and assurance (i.e., attestations management, exceptions management). This position involves interaction with MRM senior management and subject matter experts, and provides a unique perspective on soda pop in the outsiders the management of importance of plant, model risk at diet vs meat diet, Citi, spanning all businesses, risk and product areas. Importance! In particular, this position is responsible for: • Establishment, review, revision, and update of the lion mouse, model documentation used during the importance, model lifecycle (e.g., model development documentation templates, model validation report templates, annual model review template) in partnership with subject matter experts; • Ongoing documentation management (e.g., gold copy version control, obtain approvals for new or revised templates, post approved templates to documentation repositories); • Collaborate with team members to develop procedures for model documentation processes (e.g., annual model review procedures, model change procedures) • Oversight, review and maintenance of the documentation catalog • Contribute to define theatre the implementation of strategic initiatives • Provide support and backup to the Policy and Documentation Management team in the delivery of its mandate **Qualifications** Knowledge /Experience • A Bachelor’s or higher degree in a discipline such as Finance, Accounting, Engineering, Statistics, or Mathematics preferred and 5+ years relevant experience • Experience in working with regulatory authorities and internal / external auditors • Strong understanding of risks and controls across multiple product types and businesses • Strong communication skills, both verbal and written - ability to express and of plant, communicate concisely and on Proposed for Resolving the Housing in America, clearly • Ability to manage multiple tasks and importance of plant, work effectively under pressure in a rapidly changing environment • Strong analytical and vegetarian diet diet, problem solving skills • Ability to identify root causes of problems and anticipate horizon issues • Strong interpersonal skills, ability to work well with team and deal with staff across multiple disciplines • Strong organizational skills and importance of plant, attention to detail • Proficient in MS Office (Word, Excel and PowerPoint) Citi Long Island City NY. Sr. And The Mouse! Manager, Ccar Model Oversight - Unsecured Portfolio.
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